For me, making is more than just a creative practice—it’s a way of processing the world.

I primarily work with embossed tin, printmaking, and collage. Tin allows me to create intricate, tactile surfaces that catch the light, while printmaking and collage introduce layers of meaning and texture. Collage is especially important to my process—it lets me assemble fragments, creating something new from what already exists. I love the way torn edges, overlapping textures, and unexpected compositions can communicate emotion in a quiet but powerful way.

Over the years, I have had the opportunity to collaborate with institutions such as the V&A, The Body Shop, Net-a-Porter, the Natural History Museum, and Fortnum & Mason. My journey has been shaped by a deep love of making but also by the challenges of ADHD, perfectionism, and balancing creativity with business. I am constantly learning how to embrace experimentation and imperfection, allowing my work to evolve in a way that feels authentic.