The 'It's Rude To Point' Hanging Sign
The Garage Press
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order_approve
- Order placed
- 5th November
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local_shipping
- Dispatched
- 12th November
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mail
- Standard delivery
- 14th - 15th November
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This urgent and important card sign is threaded with a twist of Kraft string for hanging on doors, walls or just for propping up in front of your laptop in a co-op work space to direct attention to your neighbour.
Handprinted from a wooden hand-block cut for The Garage Press by the woodcutting genius Mark McKellier at McKellier Woodtype.
210mm x 148.5mm and printed on an Adana 8 x 5 printing press by me in my Sydenham studio using Lyme Bay Press oil-based inks.
Perfect if you feel your life could do with a bit more direction.
The delivery options for this item are listed below (if it doesn't state 'Express delivery' then that option is not available for this product). As soon as you place your order, this small business will spring into action, get it ready and send it out... (and you can feel wonderful for supporting them).
Delivery options available
Standard delivery: included
Receive it by 14th - 15th November
For more information about delivery or returning items, please take a look at our Delivery & Returns page.
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The Garage Press
The Garage Press
south London
My name is Simon Trewin, Founder and Chief Inkoholic. My prints, books and cards always start out with me scratching my head and thinking, “I wonder what would happen if I...." and then I am away!
Experimentation is at the heart of my practice - I love playing around with inks, vintage papers, wooden illustration blocks and historic metal type to a clanking soundtrack of my wonderful family of hand+foot operated presses. I also love classic typefaces, bold colours and an ever-present sense of how good prints can make a real instant impact. As you will see - I can rarely resist sprinkling a sense of humour in to the mix too!
Running through everything I do is my passion to help keep heritage crafts alive and to enjoy that sense of a historical connection to the printers, presses and ephemera that have come before me. I also truly believe in the benefits of slowing down, switching off and zoning into the deep focus that this process of discovery inspires in me.
In a world where everything is too fast, I enjoy nothing more than closing my studio door and diving into the rich and ever-rewarding world of letterpress printmaking.