Print - Heather no. 2
Lauren Ink.
-
order_approve
- Order placed
- 21st November
-
local_shipping
- Dispatched
- 28th November
-
mail
- Standard delivery
- 2nd - 3rd December
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Letterpress print on botanically dyed handmade paper featuring a heather botanical specimen...
Letterpress print on botanically dyed handmade paper featuring a heather botanical specimen.
One of a pair of prints inspired by the work of Emily Brontë and the beautiful Yorkshire moorlands.
Paper composition: cotton, lokta and flax.
Dye plant: rhubarb and chestnut.
Print specimen: Heather, calluna vulgaris
This print has a sister. To purchase both together at a reduced price select ‘Pair’ in the purchase options.
Each print is wrapped in tissue along with backing board for stability, all tied together with delicate twine.
Dimensions: 6x8 inches
Unframed
The delivery options for this item are listed below (if it doesn't state 'Express delivery' then that option is not available for this product). As soon as you place your order, this small business will spring into action, get it ready and send it out... (and you can feel wonderful for supporting them).
Delivery options available
Standard delivery: included
Receive it by 2nd - 3rd December
For more information about delivery or returning items, please take a look at our Delivery & Returns page.
Lauren Ink.
Earby, lancashire
Botanically dyed handmade paper and letterpress printed goods that are rooted in and inspired by nature.
All my prints are borne out of my fascination with botany and ecology. My creative process begins out in the field with my wildflower key and hand lens in pocket.
My papers are made from a composition of reclaimed rag and plant fibres either left in their natural tones or imbued with natures living hues through the alchemy of botanical dyes. Each sheet is pulled from the vat by hand using time honoured and traditional paper-making techniques.
My botanical illustrations are printed on my big beautiful antique printing press. Each sheet of handmade paper is fed one at a time into the press. The pressure of the printing plate combined with the pillowy paper creates a lovely fossil-like impression.
I have worked hard to create a circular paper-making process that uses bi-product and reclaimed fibres. Nothing is wasted and everything is repurposed. I strive to save and use every last drop of botanical dye - reusing dye-baths where possible or turning leftover colour into pigments.