Bitter Campari, Milan, 2019, Artwork

Richard Heeps

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  1. order_approve
    • Order placed
    • 26th June
  2. local_shipping
    • Dispatched
    • 16th July
  3. mail
    • Standard delivery
    • 18th - 19th July
  • Made in UK
  • Handmade
Description

Bitter Campari, Italian architecture street photography from Richard Heeps series, A Short History of Milan.

'A Short History of Milan' began in November 2018 for a special project featured at the Affordable Art Fair Milan 2019. There is a reoccurring linear, structural theme throughout the series, capturing the Milanese use of materials in design such as glass, metal, wood and stone. Richard has a strong connection to Northern Italy from printing his books in Verona, to visiting Milan many times to exhibit. The work here is a series he has been sketching ideas for a while, and is his first body of Italian work, capturing the spirit of Milan. It sits alongside his street photography work capturing Hong Kong, Vietnam and New York, which depict the fingerprint of cities through colour, fabric and structure with a distinct style.

Need to know

The artwork is a limited edition gloss photographic print from negative. When framed the print is dry-mounted to aluminium, presented in a museum board white window mount and a choice of black or white box frame handmade professionally in the UK. It is signed and numbered on reverse accompanied by a certificate of authenticity.

Handmade to order.

Please Note : Viewing on a backlit screen might affect true to life colours. Due to the handmade nature of Richard's darkroom photography there can be slight variations in image and borders, sizes stated are a close approximation.

Delivery

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Standard delivery: included
Receive it by 18th - 19th July

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Photographer Richard Heeps Storefront Image

Richard Heeps

Cambridge

I am a film-based photographer, I use a range of vintage analogue cameras. I consider myself to have three studios, the external studio of whichever location I may be shooting, my darkroom where I make my master prints and my home studio where I do the postproduction where the artworks are mounted, framed and finished.

I have always wanted my work to be accessible without compromising on quality and making everything in house I am in control of each step to achieve that.