The 'Museum Of Virtual Obsolescence' Postable Print
The Garage Press
£15.00
Delivery included
-
order_approve
- Order placed
- 21st November
-
local_shipping
- Dispatched
- 2nd December
-
mail
- Standard delivery
- 4th - 5th December
Got a question about this product?
Description
Handcrafted two-colour print on quality GFSmith cardstock using type and graphics drawn from my extensive collection...
Handcrafted two-colour print on quality GFSmith cardstock using type and graphics drawn from my extensive collection.
The idea here was to celebrate all these wonderful old analogue devices and processes which were, alas, a thing of the past now - what with the digital world sucking them all up.
Need to know
Made by me with vintage illustration blocks and photopolymer plates on a hand-operated 1950's Adana Printing Press in my private print studio in Sydenham using rubber-based inks from Lisa at Lyme Bay Press and printed onto paper sourced from my friends at GFSmith.
Size = 110nn x 180mm.
Is it a card or is a print?
I think it is a print but it is also technically a card so I have included your indecisiveness - just in case you really want to send it and not KEEP IT and FRAME IT!
You know you want to keep it - it will look great on your desk. Yes - just there.
Delivery
The delivery options for this item are listed below (if it doesn't state 'Express delivery' then that option is not available for this product). As soon as you place your order, this small business will spring into action, get it ready and send it out... (and you can feel wonderful for supporting them).
Delivery options available
Standard delivery: included
Receive it by 4th - 5th December
For more information about delivery or returning items, please take a look at our Delivery & Returns page.
More from this Co
The Garage Press
south London
My name is Simon Trewin, Founder and Chief Inkoholic. My prints, books and cards always start out with me scratching my head and thinking, “I wonder what would happen if I...." and then I am away!
Experimentation is at the heart of my practice - I love playing around with inks, vintage papers, wooden illustration blocks and historic metal type to a clanking soundtrack of my wonderful family of hand+foot operated presses. I also love classic typefaces, bold colours and an ever-present sense of how good prints can make a real instant impact. As you will see - I can rarely resist sprinkling a sense of humour in to the mix too!
Running through everything I do is my passion to help keep heritage crafts alive and to enjoy that sense of a historical connection to the printers, presses and ephemera that have come before me. I also truly believe in the benefits of slowing down, switching off and zoning into the deep focus that this process of discovery inspires in me.
In a world where everything is too fast, I enjoy nothing more than closing my studio door and diving into the rich and ever-rewarding world of letterpress printmaking.
You may also like