The 'Cheeky Cat' Vintage Frameable Print

The Garage Press

£12.50 Delivery included

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  1. order_approve
    • Order placed
    • 21st November
  2. local_shipping
    • Dispatched
    • 2nd December
  3. mail
    • Standard delivery
    • 4th - 5th December

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  • Made in UK
  • Handmade
Description

A 19th century cross-hatched black and white cat illustration reprinted onto a unique page from a vintage book.

Need to know

I found this illustration of a very happy cat in a 19th century copy of Punch Magazine and I had a photopolymer block made so I could print it for the first time in 175 years and bring it alive once more.

Printed by me using Lyme Bay Press rubber-based 'Printer's Black' ink & a hand-operated Ayers and Jardine Showcard Press onto a page from a vintage book.

Perfect for framing.

Delivery

The delivery options for this item are listed below (if it doesn't state 'Express delivery' then that option is not available for this product). As soon as you place your order, this small business will spring into action, get it ready and send it out... (and you can feel wonderful for supporting them).

Delivery options available

Standard delivery: included
Receive it by 4th - 5th December

For more information about delivery or returning items, please take a look at our Delivery & Returns page.

The Garage Press

south London

My name is Simon Trewin, Founder and Chief Inkoholic. My prints, books and cards always start out with me scratching my head and thinking, “I wonder what would happen if I...." and then I am away!

Experimentation is at the heart of my practice - I love playing around with inks, vintage papers, wooden illustration blocks and historic metal type to a clanking soundtrack of my wonderful family of hand+foot operated presses. I also love classic typefaces, bold colours and an ever-present sense of how good prints can make a real instant impact. As you will see - I can rarely resist sprinkling a sense of humour in to the mix too!

Running through everything I do is my passion to help keep heritage crafts alive and to enjoy that sense of a historical connection to the printers, presses and ephemera that have come before me. I also truly believe in the benefits of slowing down, switching off and zoning into the deep focus that this process of discovery inspires in me.

In a world where everything is too fast, I enjoy nothing more than closing my studio door and diving into the rich and ever-rewarding world of letterpress printmaking.